Glen was Course Director for Acting at JMC's sister school Academy of Film Theatre and Television and is an experienced teacher, director, producer and arts professional. He has directed over one hundred theatre productions, including small independent shows, touring performances and a range of fringe and festival productions.

As an arts professional, Glen founded his touring theatre restaurant business, Leading Arts in 2006, producing original theatre restaurant shows to more than forty venues across Sydney and regional NSW. Through his own business, Glen has also developed and facilitated training services to a range of medium and large corporate clients as well as successful community acting and performance programs.

Glen’s expertise has been recognized by Bauer Media, through his invitation to judge the Most Outstanding awards for the TV Week Logie Awards, for the past five years. He has also accepted judging appointments with the Short and Sweet Festival, and Sydney Festival.

Glen defines a successful career in the performing arts where the skills of performance, creativity and innovation are brought together to develop the actor not only as a versatile, dynamic and spirited performer, but as an artistic entrepreneur, able to claim their unique space in an exciting and challenging industry.

Having recently moved from New Zealand, Ben has immersed himself in the performing arts industry in Melbourne. In New Zealand, Ben has performed in several musicals, concerts, cabarets & music festivals across the country. His performance credits include singing, acting & dancing in major stage productions such as Carmen, Cats, Fiddler on the Roof, Hair, Curtains, Coca-Cola CCITP & Nelson Opera in the Park.

Ben has also performed alongside many New Zealand artists, with production companies such as Showbiz, Canterbury Opera & Chant et Danse, and was involved extensively in the New Zealand Jazz & Arts festivals for many years. During his time in Melbourne, Ben has been building a career in singing & teaching whilst standing by the words of Stephen Sondheim “..if I cannot fly, let me sing.”

Rob is a voice, dialect and acting teacher based in Sydney. He has worked extensively as an actor and teacher both here in Australia and overseas, including residencies at Yale School of Drama and Carnegie Mellon University.

Rob’s coaching credits include: Ghosts, Marat/Sade, Waiting for Godot, The Changeling, Lunacy, The Show That Smells, 27 Wagons Full of Cotton (all for NIDA), Hamlet (Blue Cow Theatre Company), Jess and Joe Forever (Sugary Rum Productions) and Gruesome Playground Injuries (Tasmanian Theatre Company). He teaches at numerous institutions around Sydney, including JMC, NIDA, Actors Centre Australia, Australian Theatre for Young People, TAFTA, Screenwise, Sydney Actors School, and the Hub Studio.

Rob is passionate about helping actors acquire a psycho-visceral connection to text and language. His teaching philosophy is steeped in an array of techniques that advocate a more holistic use of self – integrating body, soul, mind, imagination and voice.

Jane is an Actor, Director, Theatre Producer and Teacher and the Artistic Director of independent theatre company Secret House. Jane has performed in London, Edinburgh, Wales and Sydney. Recent theatre credits include Albion (Seymour Centre), For the Grace of You Go I (KXT), Pomona (KXT), Crime and Punishment (Limelight), The Seagull, Troilus and Cressida, The Winter’s Tale and Cymbeline (The Depot), Henna Night (Old Fitz) and Blink (107 Projects). Directing credits include Gundog (KXT), Bird (Old Fitz), The Dazzle (Meraki) and Orange Flower Water and Charles and Larry (Flight Path Theatre). Producing credits include Iphigenia in Splott and Hush for NGTC. In 2022 Jane was nominated for a Sydney Theatre Award for Best Performer in a Supporting Role in an Independent Production (Albion).

Megan Hind graduated with a Bachelor of Fine Arts (Acting) from NIDA in 2016, where she was the recipient of the Keith Bain OAM Scholarship in Movement. Credits include Emerald City (Melbourne Theatre Company/Queensland Theatre), Cowboy Beebop (Netflix), Friday on My Mind (ABC), Secret Bridesmaids’ Business(Channel 7), Supine (Short) and Yellow Spit Fish or: How I Learnt to Dogwhistle (Short). Prior to NIDA, she had a successful international modelling career, predominantly working for international companies such as L’Oreal, Dior and Shiseido, and featured in such magazines as L’Officiel, Vanity Fair and Marie Claire.

A NIDA Acting graduate, Anthony’s many theatre credits include Bernhardt/Hamlet (Queensland Theatre), Boy Swallows Universe (Queensland Theatre/QPAC/Brisbane Festival), A View from the Bridge, Death Of A Salesman (Ensemble Theatre), The Glass Menagerie (State Theatre Company of South Australia), Calamity Jane (Belvoir/The Comedy Theatre/Arts Centre Melbourne), Assassins (Sydney Opera House/Hayes Theatre Co.), Replay (Griffin Theatre Company) The Crucible, One Flew Over The Cuckoo’s Nest, Othello, Twelfth Night, The Comedy of Errors (Sport For Jove), Good Works, All My Sons (Eternity Playhouse) and The Lost Echo (Sydney Theatre Company). As director, Steve Martin’s The Underpants (GLUG Award nominee for Most Outstanding Independent Production and Broadway World nominee for Best Professional Production and Director of a Professional Production), Orphans (Red Line Productions) and Gruesome Playground Injuries (The Kings Collective). Anthony recently appeared in the feature film Buckley’s Chance (Blacklab Entertainment) opposite Bill Nighy, and Venus and Adonis (Sport for Jove). Television credits include Young Rock, Joe vs Carole, Sheilas, Australia: The Story of Us, Underbelly, Packed to the Rafters, Tough Nuts, Satisfaction and Home and Away. Anthony is a Sydney Theatre Award winner for his performance as Rochester in The Libertine (Sport For Jove/Darlinghurst Theatre Company) and was also nominated for his performances in Inner Voices (Old Fitz Theatre), Of Mice and Men and A Doll’s House (Sport For Jove).

Anna Loren is a writer, actor, theatre-maker, and teaching artist. She holds an MA in Ensemble Theatre and sits on the board of Women in Film & Television (WIFT) Australia as Deputy Chair, where she is dedicated to working towards a more equitable screen industry. Anna has taught with The Actors Workshop, NIDA Open and Speak Up Studio in Brisbane, as well as the Rose Bruford Youth Theatre in London, where she directed numerous productions. She was a finalist in the 2020-2021 Queensland Premier’s Drama Award for her play, COMFORT, and received Playwriting Australia’s Erin Thomas Playwright Fund, for her play, 22. Her short monologue, BURNING SEASON was commissioned as part of the Come to Where I am anthology with Critical Stages Touring and Paines Plough. Loren’s screenplay, SUGARCANE was supported by La Boite Theatre and Screen Queensland through the 2022 Stage to Screen initiative, and as part of the AFTRS Talent Camp. As a performer Anna has worked with heartBeast Theatre (Brisbane), Goattrack Theatre (Gold Coast Hinterland), Cuts & Grazes, Get Over It Productions and the Trinity International Playwriting Festival (London) and, was interim Artistic Director at heartBeast Theatre.

Katrina Roberts is a highly-experienced voice and speech coach. With over ten years of teaching experience, Katrina works with corporate and individual clients, including actors, podcasters and other professional voice-users to help them release their authentic, natural voices.

In addition to her role as a voice and speech coach, Katrina’s worked with national talent agencies, leading acting and on-camera workshops for actors. She’s also an accomplished speech and drama teacher, and regularly travels nationally to adjudicate speech and drama festivals.

In her spare time, Katrina’s a passionate public speaker and an active member of the Toastmasters International community. She has recently been accepted into The Patsy Rodenburg Associate program, where she will train extensively with one of the world’s leading voice teachers to become an accredited teacher.