Duration
8 months (2 trimesters) accelerated
Locations
Sydney, Melbourne, Brisbane
Fees
Intake Dates

February, June

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International

CRICOS 104614E

JMC welcomes from all over the world.
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JMC's Diploma of Creative Arts (Acting) comprises the first two trimesters of our Degree program, providing an exit point for students wishing to develop the introductory skills of acting as a pathway for further learning.

The contemporary performing arts industry provides entry-level opportunities in the areas of community and fringe theatre, film and digital media and self-generated performance concepts. Fringe, community and cooperative theatre models are a significant component of the live performance industry. The presence of smaller and multipurpose performance venues has created a landscape of opportunity for small scale performances, projects and productions. New and emerging technologies provide greater accessibility to resources to create film and digital media content, whilst the emergence of online platforms have created new ways for an audience to interact with performance.

This course equips students with underpinning skills and knowledge to apply the foundation acting principles to a performance, to develop creative and collaborative performance concepts and provides the necessary educational and academic framework to enable further study.

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CURRICULUM

Credit Points: 6
Trimester 1

This unit introduces the student to the foundation principles of acting, which provide the base from which the actor begins to build their process.

This acting foundation describes freedom and availability as core principles of the actor’s process. This approach to the work requires self-awareness to identify personal limitations or habitual behaviours and to then apply preparatory techniques to enable the actor to respond to stimulus moment to moment.

Students will undertake a range of practical preparation activities and exercises to develop these core skills, as well as developing conceptual understanding of these foundation principles and how these form the basis of the actor’s work. These foundation skills will be applied through both theatre and screen performance exercises and activities.

Credit Points: 6
Trimester 2

This unit builds upon the core foundation and introductory knowledge and skill developed in Trimester 1 and introduces the craft of theatre performance. This unit culminates in a performance of a contemporary Australian theatre text(s).

Craft skills of the actor involve meeting the obligations of a performance text and developing a role throughout a rehearsal period. Craft also requires the actor to apply acting principles and techniques to an audition context and whilst collaborating with a director, fellow performers and crew in meeting the performance and technical requirements of a theatre production. 

Students will participate in the rehearsal and production of a contemporary Australian performance text. Knowledge and skills in the areas of; audition technique, research and analysis of a text, technical and blocking requirements, managing a script journal, taking direction and collaborating with others will be integrated through the rehearsal

Credit Points: 6
Trimester 1

This unit supports the Acting foundation and incorporates voice and movement training into the development of the acting process. 

The synthesis of acting, voice and movement builds the essential embodiment of acting process. Acting requires a dexterous and flexible physicality, as well as the development of the vocal support infrastructure of body, breath, resonance and articulation.

Students will undertake a range of practical exercises and activities to build these skills, as well as developing an understanding of the anatomical processes and conceptual understanding of how this contributes to their acting process.

Credit Points: 6
Trimester 2

This unit develops further physical and vocal technique and integrates into acting practice to meet the obligations of text and character for performance. 

The actor’s craft requires the integration of voice and body into the development of a role for performance. Voice and movement are integral to the actor’s ability to embody a character and holistically apply acting, voice and movement techniques to meet the requirements of a performance.

Students will undertake a range of vocal and physical exercises and activities as well as incorporate research and analysis skills into the vocal and physical development of a character in performance.

Credit Points: 6
Trimester 1

This unit introduces the student to creativity as applied through the impulse of the actor by means of improvisation and creative play exercises as well as the impetus to create as an individual and member of an ensemble.

The creative impulse not only informs acting process but also supports the genesis of innovative and creative thinking and approaches, which are integral to a successful portfolio career as an actor.

Students will undertake regular exercises and activities to build and strengthen their creative impulses, to collaborate as part of an ensemble and to generate performance responses to a range of stimuli, contexts and art forms.

Credit Points: 6
Trimester 2

This unit develops the student’s understanding of the film aesthetic and how principles of acting, improvisation and creativity can be harnessed into the areas of script development, directing and performance.  This unit culminates in the development of a short film scene.

The contemporary actor’s career demands flexibility of acting process to meet the nuance of screen performance media and a well-developed understanding of the process of cinematic storytelling. The actor’s portfolio career presents opportunities to utilise these skills and knowledge to develop work opportunities in the independent film and digital media industries.

Students will utilise acting, improvisation and other creative development techniques to develop their film concept. This collaborative process will require them to integrate knowledge and skills to fulfil the roles of actor, director and creator.

Credit Points: 6
Trimester 1

This unit introduces foundation principles of safe practice, professional and personal boundaries and conduct as well as warm-up, cool down and preparation processes. It also introduces processes of reflective journaling, independent reading, research protocols and expressing a personal opinion.

The nature of the acting process, ensemble challenges and demands of an acting career create unique stresses on the professional actor. These require systematic processes and practices to ensure wellbeing is maintained and the actor is able to develop resilience in relation to these intrinsic stresses.

Students will develop thorough warm-up, cool down and preparation processes, as well as developing knowledge in approaches to journaling and reflection. Through participation in this unit the student will better understand the “connective tissue” of the course as well as their ability to positively contribute to a healthy, brave and supportive artistic ensemble.

Credit Points: 6
Trimester 2

This unit introduces the student to research and analysis skills as they relate to the building of an independent and reliable personal acting process. It is from this base that further writing, research and critical analysis skills are scaffolded throughout the course.

An independent and reliable acting process sits at the heart of a sustainable acting career. The actor must develop systems to analyse their own process and incorporate areas of new knowledge to build a robust, adaptable and flexible professional acting practice.

Students will develop skills and knowledge to reflect on and analyse their individual acting technique. They will undertake research into acting theory and practices and identify opportunities for skills development and the integration of new techniques into their personal practice.



Our Lecturers

Glen Hamilton

Head of Acting (Sydney, Brisbane)

Glen was Course Director for Acting at JMC's sister school Academy of Film Theatre and Television and is an experienced teacher, director, producer and arts professional. He has directed over one hundred theatre productions, including small independent shows, touring performances and a range of fringe and festival productions.

As an arts professional, Glen founded his touring theatre restaurant business, Leading Arts in 2006, producing original theatre restaurant shows to more than forty venues across Sydney and regional NSW. Through his own business, Glen has also developed and facilitated training services to a range of medium and large corporate clients as well as successful community acting and performance programs.

Glen’s expertise has been recognized by Bauer Media, through his invitation to judge the Most Outstanding awards for the TV Week Logie Awards, for the past five years. He has also accepted judging appointments with the Short and Sweet Festival, and Sydney Festival.

Glen defines a successful career in the performing arts where the skills of performance, creativity and innovation are brought together to develop the actor not only as a versatile, dynamic and spirited performer, but as an artistic entrepreneur, able to claim their unique space in an exciting and challenging industry.

Glen Hamilton

Head of Acting (Sydney, Brisbane)

Glen was Course Director for Acting at JMC's sister school Academy of Film Theatre and Television and is an experienced teacher, director, producer and arts professional. He has directed over one hundred theatre productions, including small independent shows, touring performances and a range of fringe and festival productions.

As an arts professional, Glen founded his touring theatre restaurant business, Leading Arts in 2006, producing original theatre restaurant shows to more than forty venues across Sydney and regional NSW. Through his own business, Glen has also developed and facilitated training services to a range of medium and large corporate clients as well as successful community acting and performance programs.

Glen’s expertise has been recognized by Bauer Media, through his invitation to judge the Most Outstanding awards for the TV Week Logie Awards, for the past five years. He has also accepted judging appointments with the Short and Sweet Festival, and Sydney Festival.

Glen defines a successful career in the performing arts where the skills of performance, creativity and innovation are brought together to develop the actor not only as a versatile, dynamic and spirited performer, but as an artistic entrepreneur, able to claim their unique space in an exciting and challenging industry.

Ben Samuel

Head of Acting (Melbourne)

Having recently moved from New Zealand, Ben has immersed himself in the performing arts industry in Melbourne. In New Zealand, Ben has performed in several musicals, concerts, cabarets & music festivals across the country. His performance credits include singing, acting & dancing in major stage productions such as Carmen, Cats, Fiddler on the Roof, Hair, Curtains, Coca-Cola CCITP & Nelson Opera in the Park.

Ben has also performed alongside many New Zealand artists, with production companies such as Showbiz, Canterbury Opera & Chant et Danse, and was involved extensively in the New Zealand Jazz & Arts festivals for many years. During his time in Melbourne, Ben has been building a career in singing & teaching whilst standing by the words of Stephen Sondheim “..if I cannot fly, let me sing.”

Ben Samuel

Head of Acting (Melbourne)

Having recently moved from New Zealand, Ben has immersed himself in the performing arts industry in Melbourne. In New Zealand, Ben has performed in several musicals, concerts, cabarets & music festivals across the country. His performance credits include singing, acting & dancing in major stage productions such as Carmen, Cats, Fiddler on the Roof, Hair, Curtains, Coca-Cola CCITP & Nelson Opera in the Park.

Ben has also performed alongside many New Zealand artists, with production companies such as Showbiz, Canterbury Opera & Chant et Danse, and was involved extensively in the New Zealand Jazz & Arts festivals for many years. During his time in Melbourne, Ben has been building a career in singing & teaching whilst standing by the words of Stephen Sondheim “..if I cannot fly, let me sing.”

Jane Angharad

Senior Acting Lecturer (Sydney)

Jane is an Actor, Director, Theatre Producer and Teacher and the Artistic Director of independent theatre company Secret House. Jane has performed in London, Edinburgh, Wales and Sydney. Recent theatre credits include Albion (Seymour Centre), For the Grace of You Go I (KXT), Pomona (KXT), Crime and Punishment (Limelight), The Seagull, Troilus and Cressida, The Winter’s Tale and Cymbeline (The Depot), Henna Night (Old Fitz) and Blink (107 Projects). Directing credits include Gundog (KXT), Bird (Old Fitz), The Dazzle (Meraki) and Orange Flower Water and Charles and Larry (Flight Path Theatre). Producing credits include Iphigenia in Splott and Hush for NGTC. In 2022 Jane was nominated for a Sydney Theatre Award for Best Performer in a Supporting Role in an Independent Production (Albion).

Jane Angharad

Senior Acting Lecturer (Sydney)

Jane is an Actor, Director, Theatre Producer and Teacher and the Artistic Director of independent theatre company Secret House. Jane has performed in London, Edinburgh, Wales and Sydney. Recent theatre credits include Albion (Seymour Centre), For the Grace of You Go I (KXT), Pomona (KXT), Crime and Punishment (Limelight), The Seagull, Troilus and Cressida, The Winter’s Tale and Cymbeline (The Depot), Henna Night (Old Fitz) and Blink (107 Projects). Directing credits include Gundog (KXT), Bird (Old Fitz), The Dazzle (Meraki) and Orange Flower Water and Charles and Larry (Flight Path Theatre). Producing credits include Iphigenia in Splott and Hush for NGTC. In 2022 Jane was nominated for a Sydney Theatre Award for Best Performer in a Supporting Role in an Independent Production (Albion).

Megan Hind

Acting Lecturer (Movement)

Megan Hind graduated with a Bachelor of Fine Arts (Acting) from NIDA in 2016, where she was the recipient of the Keith Bain OAM Scholarship in Movement. Credits include Emerald City (Melbourne Theatre Company/Queensland Theatre), Cowboy Beebop (Netflix), Friday on My Mind (ABC), Secret Bridesmaids’ Business(Channel 7), Supine (Short) and Yellow Spit Fish or: How I Learnt to Dogwhistle (Short). Prior to NIDA, she had a successful international modelling career, predominantly working for international companies such as L’Oreal, Dior and Shiseido, and featured in such magazines as L’Officiel, Vanity Fair and Marie Claire.

Megan Hind

Acting Lecturer (Movement)

Megan Hind graduated with a Bachelor of Fine Arts (Acting) from NIDA in 2016, where she was the recipient of the Keith Bain OAM Scholarship in Movement. Credits include Emerald City (Melbourne Theatre Company/Queensland Theatre), Cowboy Beebop (Netflix), Friday on My Mind (ABC), Secret Bridesmaids’ Business(Channel 7), Supine (Short) and Yellow Spit Fish or: How I Learnt to Dogwhistle (Short). Prior to NIDA, she had a successful international modelling career, predominantly working for international companies such as L’Oreal, Dior and Shiseido, and featured in such magazines as L’Officiel, Vanity Fair and Marie Claire.

Robert Maxwell

Acting Lecturer

Rob is a voice, dialect and acting teacher based in Sydney. He has worked extensively as an actor and teacher both here in Australia and overseas, including residencies at Yale School of Drama and Carnegie Mellon University.

Rob’s coaching credits include: Ghosts, Marat/Sade, Waiting for Godot, The Changeling, Lunacy, The Show That Smells, 27 Wagons Full of Cotton (all for NIDA), Hamlet (Blue Cow Theatre Company), Jess and Joe Forever (Sugary Rum Productions) and Gruesome Playground Injuries (Tasmanian Theatre Company). He teaches at numerous institutions around Sydney, including JMC, NIDA, Actors Centre Australia, Australian Theatre for Young People, TAFTA, Screenwise, Sydney Actors School, and the Hub Studio.

Rob is passionate about helping actors acquire a psycho-visceral connection to text and language. His teaching philosophy is steeped in an array of techniques that advocate a more holistic use of self – integrating body, soul, mind, imagination and voice.

Robert Maxwell

Acting Lecturer

Rob is a voice, dialect and acting teacher based in Sydney. He has worked extensively as an actor and teacher both here in Australia and overseas, including residencies at Yale School of Drama and Carnegie Mellon University.

Rob’s coaching credits include: Ghosts, Marat/Sade, Waiting for Godot, The Changeling, Lunacy, The Show That Smells, 27 Wagons Full of Cotton (all for NIDA), Hamlet (Blue Cow Theatre Company), Jess and Joe Forever (Sugary Rum Productions) and Gruesome Playground Injuries (Tasmanian Theatre Company). He teaches at numerous institutions around Sydney, including JMC, NIDA, Actors Centre Australia, Australian Theatre for Young People, TAFTA, Screenwise, Sydney Actors School, and the Hub Studio.

Rob is passionate about helping actors acquire a psycho-visceral connection to text and language. His teaching philosophy is steeped in an array of techniques that advocate a more holistic use of self – integrating body, soul, mind, imagination and voice.

Anthony Gooley

Acting Lecturer

A NIDA Acting graduate, Anthony’s many theatre credits include Bernhardt/Hamlet (Queensland Theatre), Boy Swallows Universe (Queensland Theatre/QPAC/Brisbane Festival), A View from the Bridge, Death Of A Salesman (Ensemble Theatre), The Glass Menagerie (State Theatre Company of South Australia), Calamity Jane (Belvoir/The Comedy Theatre/Arts Centre Melbourne), Assassins (Sydney Opera House/Hayes Theatre Co.), Replay (Griffin Theatre Company) The Crucible, One Flew Over The Cuckoo’s Nest, Othello, Twelfth Night, The Comedy of Errors (Sport For Jove), Good Works, All My Sons (Eternity Playhouse) and The Lost Echo (Sydney Theatre Company). As director, Steve Martin’s The Underpants (GLUG Award nominee for Most Outstanding Independent Production and Broadway World nominee for Best Professional Production and Director of a Professional Production), Orphans (Red Line Productions) and Gruesome Playground Injuries (The Kings Collective). Anthony recently appeared in the feature film Buckley’s Chance (Blacklab Entertainment) opposite Bill Nighy, and Venus and Adonis (Sport for Jove). Television credits include Young Rock, Joe vs Carole, Sheilas, Australia: The Story of Us, Underbelly, Packed to the Rafters, Tough Nuts, Satisfaction and Home and Away. Anthony is a Sydney Theatre Award winner for his performance as Rochester in The Libertine (Sport For Jove/Darlinghurst Theatre Company) and was also nominated for his performances in Inner Voices (Old Fitz Theatre), Of Mice and Men and A Doll’s House (Sport For Jove).

Anthony Gooley

Acting Lecturer

A NIDA Acting graduate, Anthony’s many theatre credits include Bernhardt/Hamlet (Queensland Theatre), Boy Swallows Universe (Queensland Theatre/QPAC/Brisbane Festival), A View from the Bridge, Death Of A Salesman (Ensemble Theatre), The Glass Menagerie (State Theatre Company of South Australia), Calamity Jane (Belvoir/The Comedy Theatre/Arts Centre Melbourne), Assassins (Sydney Opera House/Hayes Theatre Co.), Replay (Griffin Theatre Company) The Crucible, One Flew Over The Cuckoo’s Nest, Othello, Twelfth Night, The Comedy of Errors (Sport For Jove), Good Works, All My Sons (Eternity Playhouse) and The Lost Echo (Sydney Theatre Company). As director, Steve Martin’s The Underpants (GLUG Award nominee for Most Outstanding Independent Production and Broadway World nominee for Best Professional Production and Director of a Professional Production), Orphans (Red Line Productions) and Gruesome Playground Injuries (The Kings Collective). Anthony recently appeared in the feature film Buckley’s Chance (Blacklab Entertainment) opposite Bill Nighy, and Venus and Adonis (Sport for Jove). Television credits include Young Rock, Joe vs Carole, Sheilas, Australia: The Story of Us, Underbelly, Packed to the Rafters, Tough Nuts, Satisfaction and Home and Away. Anthony is a Sydney Theatre Award winner for his performance as Rochester in The Libertine (Sport For Jove/Darlinghurst Theatre Company) and was also nominated for his performances in Inner Voices (Old Fitz Theatre), Of Mice and Men and A Doll’s House (Sport For Jove).

Why Acting at JMC?

Become a commercial and sustainable actor with experience in acting for stage, screen, audio, game design, animation and more
Focus on production and performance-based training, designed to align with industry best practice
Be career ready with courses designed in response to the latest industry trends

Are you ready to take the next step toward your career in Acting?

FAQs

No, our courses are hands on and practical. Students are required to attend classes to receive ongoing mentorship, learn new skills and work with the equipment provided. We do encourage our students to use online study resources, however our courses would not be as immersive as they are without the practical component.

Yes. The JMC Academy is registered and regulated by the Tertiary Education Quality and Standards Agency (TEQSA) which is Australia’s independent national regulator of the higher education sector, both public and private.

The ultimate benefit of studying at JMC Academy is the reassurance and relief in knowing that we are leaders in creative industries education and have been delivering quality education in the Creative Industries for over 30 years. We were the first to be accredited in Australia for education in Audio Engineering, Digital Television and Multimedia.

Our courses have always been practical, with hands-on projects and an intense focus on industry and outcomes undiluted by extensive, non-essential electives.  

In choosing to study at JMC Academy, our students are opting for the benefits of an intimate classroom size where the lecturer knows their name and learning needs. They are choosing to learn at an award-winning institution that fosters collaboration and creative vision. At JMC Academy the student's experience becomes an integral part of their learning and the institution's own values defined by quality, integrity, diligence and innovation indelibly become their own.   

JMC Academy is broadly recognised and accredited:

  • Registered Higher Education Provider.
  • Accredited by the Tertiary Education Quality and Standards Agency (TEQSA)
  • Registered on the Commonwealth Register of Institutions and Courses for Overseas Students (CRICOS).
  • Accredited by the Australian Skills Quality Authority (ASQA)
  • Member of the Australian Council of Private Education and Training (ACPET ).
  • Nationally recognised under the Australian Qualifications Framework.

Our strong industry links also ensure that JMC Academy qualifications are recognised within the creative industries. 

Many jobs in the creative industries are found via direct recommendations or referrals. At JMC Academy, many of these recommendations are made while students are completing their studies and via organisations that approach JMC for graduates. That is why we stress the importance of networking through our industry connected lecturers and taking advantage of the many work experience and internship opportunities that arise during your time at JMC. Throughout their studies, students are progressively adding to their portfolio of work, networking with lecturers and students, and learning how to run their own businesses. All of this directly contributes to their ability to generate an income in a field they are passionate about and enjoy.

You owe it to yourself and the art that's inside you - you have to honour that will and that drive. Studying Acting at JMC has allowed me to honour that, and it's really rewarding.
Campbell Briggs
Acting Alumni